Thursday, November 25, 2021

OFF THE LEASH OFFICIAL MERCHANDISE

The merchandise line for our film will be useful for me and my group as it supplies two key elements. One of which, is a secondary stream of income. People will have to buy our merchandise, meaning we will make money off of the products we sell. This will increase the profitability for the film and allow us to recoup some of the costs spent on making the film. The other element it supplies is how it is free marketing. If people were to buy these products, they would show them out in public, like a shirt or phone case, which people see. Not only is this free marketing, we are being paid to market our film. This is because people see the title and cover art and immediately associate it to our social media page which has the same design. This keeps our film fresh in people's mind and means people are constantly thinking about it when they see these products.

Above is an example of our merchandise. These are exclusive phone cases featuring the title and main design for the film.



Above shows both T shirts we will sell. On the right is one of the animal masks, and on the left is the title and art of the film.

TWITTER PAGE FOR 'OFF THE LEASH!'


On the Twitter page I made for our film Off The Leash, I designed a profile picture and banner art for it. This art will be used throughout all our social media campaign and this style will be used for our distribution campaign and possibly our merchandise. By keeping this style of art consistent throughout our film's distribution campaign, the audience will recognise it over time and immediately associate the images they see with our film, Off The Leash.

Monday, November 22, 2021

PLANNING: CHARACTER OUTFITS


PLANNING: PROPS

 


PLANNING: RISK ASSESSMENT

 

Risk Assessment

Hazard Proposed

Hazard posed to whom

Risk Level

How Risk was Controlled

Journey to location of filming.

Walking from Esher to the woods  and back from to Esher from the woods– cars.

 

 

 Travelling via train to and from Esher – big step between train and platform, fast moving trains, public behaviour.

 

 

 

 

 

 

 

 

 Travelling via car to and from Esher – be aware of other drivers and pedestrians.

All 4 of us.

 

 

 

 

 

 

 

Sam, Finn

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 Ben, Matt

High

 

 

 

 

 

 

 

Medium

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 High

We took extra care when travelling to our site of filming, always looking both ways when crossing a road.

 

Sam and Finn will take extra care when entering and exiting the train making sure to check how big the gap between the train and platform is. Make sure to stand behind the yellow line on platforms. Avoid public confrontation.

 

When driving always check your mirrors and stick to the speed limit to reduce chance of accidents. Always look for pedestrians.

First Aid

Tripping/falling when filming in the woods.

 

 

 

 

 

Falling ill/sick







Lack of vision - animal masks greatly reduce vision.

All 4 of us

 

 

 

 

 

 

 

All 4 of us







All 4 of us

Medium

 

 

 

 

 

 

 

Low








High

Take care when walking on uneven surfaces. We will carry plasters at all time to accommodate for any cuts.

 

Taking appropriate measures to help individuals who feel unwell i.e. calling their parents or getting them water.

Walking slowly through woods when filming.

 General public

Theft - drone, laptop, phones.








Assault

All 4 of us

 

 

 

 

 

 

 

 

All 4 of us

 High









High

Always carry items in a zipped up bag and never leave unattended when filming. Always checking we still have our valuables.

 

We will walk through public areas as a group of 4 in order to look less approachable. Will not speak to any other members of public.

 Public incidents

 Terrorism - caught up in terrorist activity leading to injury or confusion.









COVID-19 lockdown - preventing us from filming.

 All 4 of us













All 4 of us

 High













High

 We will follow given government guidelines and be aware of our surroundings so we do not get lost. Make sure everyone knows emergency contacts if needed e.g. 999.



Making sure everyone follows covid-19 government guidelines and not breaking the law. Waiting until after the lockdown to continue filming.

Thursday, November 18, 2021

AUDIENCE QUESTIONNAIRE


FILM FESTIVALS WE WILL ENTER

We aim to submit our film OFF THE LEASH for screening at film festivals where possible. 

We hope to be successful at the Edinburgh International Film Festival: Youth. I think this is suitable for our film as it is not too unachievable for our comparatively small budget. Film festivals such as the London Film Festival and the Cannes Film festival are out of reach for our budget as films with reputable directors and actors attend this, not a group of 4 student film makers. The Edinburgh Film Festival: Youth on the other hand is not out of reach for me and my team. This is because the genre of film there is more niche and lower budget. Additionally as it is the youth section, we will be coming up against people our age with fairly similar ability. This will even the playing field and give us a real shot at winning it.

Edinburgh International Film Festival - Edinburgh Festival City


Another film festival we will be entering is the BFI Future Film Festival. Unlike most film festivals the BFI hosts this one is for up and coming young creators. Because of this, we have a possibility of attending the Film Festival and is not a completely unrealistic goal for our team with our low level of resources and micro budget

BFI Future Film Festival 2022 | BFI

BBFC CERTIFICATE

 


Thursday, November 4, 2021

PLANNING: TARGET AUDIENCE AND SIMILAR FILMS

 In an interview with Entertainment One UK, Kezia Williams exclaims how important it is for distributors to "know their target audience". This includes what makes them go to the cinema and what interests they have. Additionally, she says that distributors use a variety of data from past films similar to their one, and what made their target audience want to/not want to go to the cinema and see the film. Williams' interview shows how knowing your target audience is a key factor for distributors to be able to distribute the film, directly effecting the success of the film.

I will now be composing a comp list below. This is looking at previous films with a similar genre, USP and story line to our film. With this, we will be able to analyse the success of past films, what they did wrong and what they did right to then finally assess the potential financial success of our film.

Comp List

PLANNING - TARGET AUDIENCE COLLAGE

 


Wednesday, November 3, 2021

PLANNING: MY TARGET AUDIENCE

To reach a target audience, you have to have a good knowledge on their full profile. This includes age, gender, ethnicity, preferences etc. I will be looking at various characteristics such as favourite films, way of dressing, music they listen to and other parts that will allow me to understand my audience deeper as people. As a result, I will know what I have to do to target my audience and where to market my film, in order to gain the widest possible audience possible.

I also looked at the ways other production companies targeted their audience. I did this through looking at their audience profile and seeing how they categorised it. I learnt how detailed the audience profiles were and the sheer amount of variables they look at. They do this to have the best understanding over what their target audience does, so they can market their products tailored to what their audience does.

To plan how to reach your specific target audience you need to know who they are and what their interests are. You create an audience questionnaire to research the age, gender, ethnicity and social class of your target audience. You also find out what their media needs and wants are so that you can create a film that will satisfy them. Ultimately in order to market your movie you have to find out the best way to reach your target audience. To show how your research has helped with your planning, you have answered the questions below with pictures to support your post. 

1. Who is my primary target audience?

15-25 year old male/female. 

2. What kind of films and television are they likely to prefer?

I believe they would prefer horror films. These films include The Conjuring, The Paranormal trilogy, The Blair Witch Project, The Shining. 

3. What platforms do they choose to watch films and where are they likely to see information about films?

I think they would watch Netflix, Prime and other streaming services. Social media would be the main source of information through platforms like Instagram, Snapchat, YouTube and possibly Twitter. I believe FaceBook as a social media platform is more aimed towards an older audience so wouldn't access the target market we are trying to market to.

4. What brands do they prefer?

They would prefer mainstream brands, due to how our film is a horror movie which most teens and young adults enjoy. I have already listed the social media platforms they would use. They would wear brands like Nike and Adidas which they would buy from JD Sports. They would listen to mainstream music such as UK rap artists like Dave, Stormy and Ardee. They would watch the film at general cinemas like The Odeon or the Vue. They would eat at McDonalds, Pizza Express and other mainstream restaurants. 

5. What makes my film stand out from the competition?

Our film is shot in found footage. This is our USP as not many other films are shot like this. Found footage is camera footage from a first person view that has been shot by the character themselves. Because of this, the audience gets a personal view on the film and is immersed more into the film as they see the events from the character's perspective.

. Why should my audience watch my film?

My audience should watch my film because of how eery the film is. It is not a traditional horror movie but will keep the audience on the edge of their seat for the whole duration of the film. 

Wednesday, October 6, 2021

PLANNING: ADVANCED PRODUCTION

 Deadline DECEMBER THIS TERM for all TRAILER making - filming and editing main trailer and teaser trailer

  1. The name of our film: Off The Leash
  2. The name of our Production Company and our co-production companies: Holding Productions and Chambers Productions
  3. The name of the director that will appear in our trailers: Sam de Bruin
  4. The name of the 2-3 main actors that will appear in our trailers: Finn Hanley, ben Richardson, Matt Heyns, Sam de Bruin
  5. (Optional)  "From the director of..." Suspect
  6. The names of the film festivals where our film will be screened (more festival names here): London film trailer
  7. Pull quotes from reviews etc; wording: "The most emphatic horror movie I've seen" "A creative masterpiece from the same new, talented team behind Suspect"
  8. Our location recce - take photos and collate in an attractive way + written explanation - 
  9. Our target audience
  10. Social groups and issues in our film...
  11. Our props list - photos + stereotypes + clothing
  12. Our social media - write down decisions about who is taking responsibility for which platforms
  13. Our music - we researched (this type of music) as the background track... and narrowed down our choice to include...
  14. Our call sheets are being written by ...
  15. Make your storyboard - include....

  • how you plan to frame shots - identify establishing shot, wide shots, two- shots, three-shots, CUs, ECUs,
  • words of any other inter titles
  • release date - decide on wording

Friday, September 17, 2021

RESEARCH: WHEN ARE TRAILERS SHOWN?

Most trailers are made at the same time as the film is being produced. The timing of a trailer campaign is vital as it has to be shown far enough in advance to generate a large amount of excitement about the film's release, but not so early that the film is out of people's mind by the time it comes out. 

Toy Story 4:

Sequel in the Toy Story series. Has an established fanbase so featuring the nostalgia of the franchise is effective as people will look back at their childhood with fond memories of Toy Story. This film would have been released during summer, to create a summer feeling about the movie, during summertime. This allows the viewers to relate to the film and translate the occurrences into that of their own life. Additionally, the music chosen to feature in the movie supports the summer feeling behind the trailer. I believe this film is targeted towards children, who of course have to be accompanied by their parents when they watch the film. Boys are able to relate to the film due to male characters such as Buzz Lightyear and Woody. Female audience can relate to the character through the strong independent woman of Little Bo-Peep. The trailer also shows the American caravan in the film. This is popular amongst many in America, appealing to a wider, mainstream audience and allowing more people to relate to the trailer. 


Yesterday:

This film is a feel-good film about a man who has woken up from an injury, in a world where popular music artists "The Beatles" do not exist, and he is the only one who knows of them and their songs. People who are a fan of The Beatles might be intrigued to watch this film as the film is based around how genius the songs were and how much of a hit it was. This might also attract older viewers as although they might not have been huge fans of The Beatles, their impact was huge so would have reached a lot of people's minds. I believe the film was released in summer to target audiences going to festivals during the summer holidays. This creates excitement and allows them to relate the film to their everyday life, creating a personal connection between their life and the film. Not only will the film target fans of The Beatles, it will also target fans of Ed Sheeran and James Corden as they have small cameos in the film. In addition to this, there are well known actors in the film such as Joel Fry, who might attract viewers from his many fans


The Brink:

The Brink is about Steve Bannon, far right politician with policies and beliefs which offend many people around the world. The film targets a right wing audience who are generally far right. Audiences may feel they are getting closer to the truth, with an insight into Steve Bannon's personal life and his failures in being former-President Donald Trump's advisor. This film was released 2 months after elections were held. I think this was done as it means that audiences get to see what happens behind the scenes, gaining more knowledge on Steve Bannon, his beliefs and his relations with other expressive politicians. I believe it is targeted to more of an American audience as it is about the insights of American politics and what occurs. 

Wednesday, September 15, 2021

RESEARCH: WHERE ARE TRAILERS SHOWN?

Film Space Resources: Where?

Trailers are displayed at the cinema, television, online poster campaigns and advertisements through radio. Official film websites will generally show a version of their trailer which appeals to a mainstream audience, to attempt to gain the widest audience possible. On the other hand, trailers shown in cinemas will be tailored to the film that is on display, making the film look like it appeals to the viewers of said film.

When people watch TV, I believe their full focus is not with the TV when adverts are being shown. This is because they are aware that businesses are trying to engage them to buy their product/service and because generally the adverts are not entertaining. The average viewer uses this as a time to have a break; do something they had thought of doing before the TV comes back on. When trailers are shown in these advertisement breaks, the few viewers who are still watching the TV might see this trailer and think they want to see the film. This is because the trailer will be tailored to the genre of the television programme going on at that time, so the general viewer of it would be intrigued to watch it. This could be seen as more effective than advertising in cinemas as people watch TV more frequently than cinema. However, when advertising to a specific movie in cinema, you can tailor the trailer to exactly what the audience of the film would be interested in. Advertising on DVD's is not effective because of how much a thing of the past DVDs are. I think this as channels such as Netflix and Prime Video are more preferred now due to their easy compatibility and accessibility, allowing users to watch media anywhere. Linking these trailers from a film website would boost viewers of the trailer immensely, as people are interested to see the contents of the film and what it is like.

Friday, September 10, 2021

RESEARCH: WHO ARE TRAILERS AIMED AT?

 I watched the trailers for three films: Vita and Virginia, Frozen 2 and Apollo 11 on the Teaching Trailers FDA teaching resource

Trailers are typically targeted to the same audience as the film is targeted towards. Everyone has different preferences and opinions in films, however, there are some features which different groups of audience may share, which is what production companies hone in on. I watched and analysed each trailer and assessed which of the target audience below the trailer was targeted at. 

Vita and Virginia

I believe the target audience is skewed towards a more prestige audience. Additionally, it is also targeted towards couples. I think this as the trailer is about a couple and how they battle the various challenges they face. I also think women of all ages, who are interested in the history of women's rights, and what it was like to be a woman in the 1920s would be interested in the film. The trailer also draws in a homosexual couple audience due to the couple in the trailer being lesbian. Admirers of the National Trust may also be intrigued to watch this film because of the high budget that was spent to make this film look the way it is; classically rich. The furniture in Sissinghurst, where it is filmed, looks exquisite, just what those who are interested in National Trust property would admire.

Frozen II

I believe the primary target audience for Frozen is children under 15. I think this because of the style of animation, the themes featured in the trailer and the fact that it is produced by Disney. More specifically, I think it is targeted at young women under 15 because of the fact that the main characters and the heroes of the story are women. This empowers the young girls that watches this and sets them a role model. The idea of action may attract young men under 15, broadening the target audience for the film. Parents may also be obliged to watch the film as their children may want to watch the film, meaning they have to accompany them. The target audience in general is a Disney audience.  


Apollo 11

The fact that it was selected for the Sundance film festival gives the viewer the idea that it is directed to a more prestige audience as this film festival generally features more indie films. It is also revealed that the film is a documentary. This may attract people interested in spacecrafts and the history of them who want to see inside the event. In addition to this, the trailer may attract an American audience that is interested in the history of the operation. This is because it is a fairly patriotic trailer, showcasing one of America's proudest events. This is later enforced by the inter title "We Were One" implying that this event was the last thing that brought the country together and made it united.

Thursday, September 9, 2021

RESEARCH: HOW TRAILERS HELP FILL CINEMAS

The FDA resource 'Teaching Trailers' suggest that whilst a film should clearly present the viewer a genre in order to help audiences decide whether they would enjoy the film. In addition to this, the marketing campaign and the film trailer should also offer the viewer new experiences that sets the film apart from others in the same genre. This is known as a unique selling point or USP.

I have looked at three trailers and identified what the USP was in each of the trailers. 


Inception (2010)

The trailer for Inception showed how the concept of the film was different to any other film produced. The viewer felt excited to be visiting these dystopian events in the trailer. The USP is the concept of the movie. Going into someone's dreams had never professionally been done in a film; before Inception. The viewer feels baffled by the concept and how they would go about doing it. 















La Haine (1995)

La Haine's trailer gave the audience a taste of what the film was like. Film noir, spoken in French and the gangster-like behaviour of the main characters. The USP of La Haine is that it is in black and white and that it is spoken in French, not English like most popular films. This sets it apart from the general mainstream film audience, targeting a more prestige audience.
















Star Wars: A New Hope (1977)

Star Wars went against the grain that the other films being released in 1977 were following. The believable CGI and futuristic scenes are the revolutionary aspects of Star Wars. This is because no other production company was doing this in 1977. The visionary concept and superb execution were the USP's of Star Wars



RESEARCH: WHY IS A FILM TRAILER MADE?

I looked at three trailers on the teaching trailers resource supplied by the FDA online in order to further my understanding of why trailers are made and how they signal the film's genre

The Mustang

The trailer for Mustang indicates it is a film for adults. The main theme is the man getting his life back on track through taming a feisty and aggressive horse which everyone else struggled to do. The genre is action/adventure


Fast and Furious

The trailer for Fast and Furious presents to the viewer how action packed and fast paced the film is. Gun shots, people being hit in the face, cars flying in the air. This film is aimed at people over the age of 15 due to the violent themes and visual gore. The genre is action



Artemis Fowl

Clearly from the start of the trailer, this film was aimed at children. This was because of the main actor being a child and the film being produced by Disney, the popular children's television company. The genre for this film is action/apocalypse.

RESEARCH

 I have started further research into trailers using the FDA's teaching trailer online course, from which these resources have come. 


I watched the trailer for Booksmart before considering the following questions about trailers in general
Film space questions on trailers

1. What do you think the major elements of a film marketing campaign are?
I believe the major elements are digital and physical elements. Digital can be broken down into media adverts such as television or radio, social media campaigns and the film website, containing convergent links. An example of this is with Black Panther, that utilised all of these aspects extremely well, spreading word about the film effectively. 
Physical marketing strategies include billboards, posters and other kinds of visual adverts. Black Panther also used these in its marketing campaign, featuring posters of the film in Hollywood, Los Angeles and London.

2. Where might you expect to see different parts of the marketing campaign
Social media, billboards, television and radio adverts are amongst the most popular forms of marketing and would most likely be the place where most people see the film and are enlightened on it. Billboards will feature still images of the film, whilst social media accounts for the film might display trailers and clips of the film.

3. What factors make you want to go and see a film? How do you decide which films to see?
For me, the video clips I see of the film on social media are the biggest factor that makes me want to see a film. This is because it shows the plot line, events that occur in the movie and generally presents the viewer with what genre the film is. 

The way I decide which films to see is through word of mouth, such as recommendations from friends, family or online film critics. This is because when I see many good reviews for a film, I am interested as to why it is rated so highly, so want to go see why everyone likes the film so much.

PROMO PACK BRIEF

  Sam de Bruin - Candidate number: 1815 I collaborated with ben Richardson 1853, Matt Heyns 1828 and Finn Hanley 1824 We made a promotion pa...